Never Say Never Again

Never Say Never (Italy, Portugal, Germany, Greece, Turkey, Spain)
Never Never Again (or Never Ever) (France)
Agent 007, Never Say Never (Italy)
007 Never More Say Never (Portugal)

Produced by: Kevin McClory, Jack Schwartzman
Released: 1983
Production Company: Warner Brothers; Taliafilm

Best line:
Algernon: "Good to see you, Mr. Bond. Things have been awfully dull 'round here. Bureaucrats running the old place - everything done by the book. Can't make a decision unless the computer gives you the go-ahead... Now you're on this. I hope we're gonna have some gratuitous sex and violence."

Worst line:
"You walk in a room, A woman can feel the heat. One look is a guarantee; Nights could be long and sweet. The message is clear; Like nothing I've ever known. But the more that I hear, Forget about long-range plans; 'Cause this man's got his own. To get mixed up with a man who says never; May be big trouble, but then; I just could be the woman to take you; And make you never say never again." ... Oh, just every line of Michel Legrand's theme song.

Undercover

"As far as I'm concerned, there have been no Bond movies since Sean made Diamonds Are Forever. There have been some other pictures about a guy called James Bond, but they have nothing to do with my film."
- NSNA Director Irvin Kershner (he also helmed "The Empire Strikes Back")

Kevin McClory couldn't afford the legal battles with Cubby Broccoli anymore. Enter Schwartzman - Jack Schwartzman. He hired Lorenzo Semple Jr. to write a straight re-make of Thunderball, discarding the newer, legally questionable plot of Warhead. Then he called on some powerful friends...

On June 18, 1982, Jack Schwartzman, Francis Ford Coppola, and their respective production companies were added as co-defendants with Kevin McClory in Broccoli's lawsuit against Warhead. Broccoli had recruited "the Trustees of the will of Ian Fleming" (Broccoli had pressed them into suing McClory to protect the Eon franchise). After a final thirteen days in front of the English Court of Appeal, Jack Schwartzman and Kevin McClory were told the following by the three Lords:

"The plaintiffs, the Trustees of the will of Ian Fleming, have been financially aided by Cubby Broccoli since 1978 in their bid to stop the film.

The film can not be stopped because the trustees have no right to argue against the original 1963 assignment of the copyright that gave Kevin McClory the film and TV rights to Ian Fleming's novel Thunderball.

There can be no appeal to a higher court - the House of Lords will not hear this case."

In fact, Justice Goulding announced that the continued litigation regarding the case constituted harrassment, and decreed that McClory's court costs must be paid by the plaintiffs.

This ruling finally cleared the way for a rival Bond picture: so Schwartznan hired Lorenzo Semple Jr. to write a straight re-make of Thunderball, discarding the newer, legally questionable plot of Warhead.

Bernie Casey (Felix Leiter): "(Connery) said Felix Leiter has been in all the Bond films he's made, and I said 'Really? Which one is he - I don't remember him.' He explained that in Dr. No he was Jack Lord, and he named all the actors that have played Felix Leiter. He explained that since Felix Leiter is not memorable, let's make him black, and at least that will make him more noticeable..."

Francis Ford Coppola did uncredited work on the script (he was the brother-in-law of producer Jack Schwartzman). About ten writers in all worked on the script at various times, including Dick Clement and Ian Le Frenais.

Desmond Llewelyn (Q in the Eon films) praised the performance of Alec McCowan as Algernon the armourer: "I was most complimented and very flattered that Alec, who I know quite well, played Q in a totally different way. It was a very funny performance."

Besides Sean Connery, only one other performer was involved in both this film and the original Thunderball: Robert Rietty (Italian Minister) voiced the character of Largo in the original.

A young Steven Seagal was the martial arts instructor for this film. He broke Sean Connery's wrist during training.

"Schwartzman was totally incompetent. A real ass. In the middle of everything, he moved to the Bahamas with an unlisted number. It was like working in a toilet. I should have killed him."
- Sean Connery

Kim Basinger (Domino) had turned down the lead actress role in Moonraker because she didn't like the way the EON Bond films treated women.

But she ended up hating this film, too, and apparently didn't like Connery much, either: "It was all about Bond! Women love Sean Connery. He loves golf."

A French partner in the production complained about Sean Connery's name. "What is this name? It sounds like sans conneries. In French slang it means 'without balls!' Can you get him to change it?"

[edit] Production

Never Say Never Again had its origins in the early 1960s following the controversy over the 1961 Thunderball novel.[1] Fleming, along with independent producer Kevin McClory and scriptwriter Jack Whittingham had worked together on a script for a potential Bond film, to be called Longitude 78 West,[2] which was subsequently abandoned because of the costs involved.[3] Fleming, "always reluctant to let a good idea lie idle",[3] turned this into the novel Thunderball which did not credit either McClory or Whittingham;[4] McClory then took Fleming to the High Court in London for breach of copyright[5] and the matter was settled in 1963.[2] After Eon Productions started producing the Bond films, they subsequently made a deal with McClory, who would produce Thunderball, and then not make any further version of the novel for a period of ten years following the release of the Eon-produced version in 1965.[6]

In the mid-1970s McClory again started working on a project to bring a Thunderball adaptation to production and, with the working title Warhead, he brought writer Len Deighton together with Sean Connery to work on a script.[7] The script ran into difficulties after accusations from Eon Productions that the project had gone beyond copyright restrictions, which confined McClory to a film based on the Thunderball novel only, and once again the project was deferred.[6] Towards the end of the 1970s developments were reported on the project under the name James Bond of the Secret Service,[6] but when producer Jack Schwartzman became involved and cleared a number of the legal issues that still surrounded the project[1] he brought on board scriptwriter Lorenzo Semple Jr[8] to work on the screenplay. Connery was unhappy with some aspects of the work and asked British television writers Dick Clement and Ian La Frenais[9] to undertake re-writes, although they went uncredited for their efforts because of a restriction by the Writers Guild of America.[10]

The film underwent one final change in title: after Connery had finished filming Diamonds are Forever he had pledged that he would "never" play Bond again.[7] Connery's wife, Micheline, suggested the title Never Say Never Again, referring to her husband's vow[11] and the producers acknowledged her contribution by listing on the end credits "Title "Never Say Never Again" by: Micheline Connery". A final attempt by Fleming's trustees to block the film was made in the High Courts in London in the spring of 1983, but these were thrown out by the court and Never Say Never Again was permitted to proceed.[12]

[edit] Cast and crew

When producer Kevin McClory had first planned the film in 1964 he held initial talks with Richard Burton for the part of Bond,[13] although the project came to nothing because of the legal issues involved. When the Warhead project was launched in the late 1970s, a number of actors were mentioned in the trade press, including Orson Welles for the part of Blofeld, Trevor Howard to play M and Richard Attenborough as director.[7]

In 1978 the working title James Bond of the Secret Service was being used and Connery was in the frame once again, potentially going head-to-head with the next Eon Bond film, Moonraker.[14] By 1980, with legal issues again causing the project to flounder,[15] Connery thought himself unlikely to play the role, as he stated in an interview in the Sunday Express "when I first worked on the script with Len I had no thought of actually being in the film".[16] When producer Jack Schwartzman became involved, he asked Connery to play Bond: Connery agreed, asking (and getting) a fee of $3 million, ($7 million in 2012 dollars[17]) a percentage of the profits, as well as casting and script approval.[18] Subsequent to Connery reprising the role, the script has several references to Bond's advancing years – playing on Connery being 52 at the time of filming[18] – and academic Jeremy Black has pointed out that there are other aspects of age and disillusionment in the film, such as the Shrubland's porter referring to Bond's car ("they don't make them like that any more"), the new M having no use for the 00 section and Q with his reduced budgets.[19]

For the main villain in the film, Maximillian Largo, Connery suggested Klaus Maria Brandauer, the lead of the 1981 Academy Award-winning Hungarian film Mephisto.[20] Through the same route came Max von Sydow as Ernst Stavro Blofeld,[21] although he still retained his Eon-originated white cat in the film.[22] For the femme fatale, Director Irvin Kershner selected former model and Playboy cover girl Barbara Carrera to play Fatima Blush – the name coming from one of the early scripts of Thunderball.[10] Carrera's performance as Fatima Blush earned her a Golden Globe Award nomination for Best Supporting Actress,[23] which she lost to Cher for her role in Silkwood.[24]

Micheline Connery, Sean's wife, had met up-and-coming actress Kim Basinger at a hotel in London and suggested her to Connery, which he agreed upon.[10] For the role of Felix Leiter, Connery spoke with Bernie Casey, saying that as the Leiter role was never remembered by audiences, using a black Leiter may make him more memorable.[20] Others cast included comedian Rowan Atkinson, who would later parody Bond in his role of Johnny English.[25]

Former Eon Productions' editor and director of On Her Majesty's Secret Service, Peter R. Hunt, was approached to direct the film but declined due to his previous work with Eon.[26] Irvin Kershner, who had achieved success in 1980 with The Empire Strikes Back was then hired. A number of the crew from the 1981 film Raiders of the Lost Ark were also appointed, including first assistant director David Tomblin; director of photography Douglas Slocombe and production designers Philip Harrison and Stephen Grimes.[20][27]

Filming for Never Say Never Again began on 27 September 1982 on the French Riviera for two months[10] before moving to Nassau, the Bahamas in mid-November[8] where filming took place at Clifton Pier, which was also one of the locations used in Thunderball.[28] The Spanish city of Almería was also used as a location.[29] Largo's Palmyran fortress was actually historic Fort Carré in Antibes.[30] For Largo's ship, the Flying Saucer, the yacht Nabila, owned by Saudi billionaire, Adnan Khashoggi, was used. The boat, now owned by Prince Al-Waleed bin Talal, has subsequently been renamed the Kingdom 5KR.[31] Principal photography finished at Elstree Studios where interior shots were filmed.[28] Elstree also housed the Tears of Allah underwater cavern, which took three months to construct.[28] Most of the filming was completed in the spring of 1983, although there was some additional shooting during the summer of 1983.[8]

Production on the film was troubled[32] with Connery taking on many of the production duties with assistant director David Tomblin.[28] Director Irvin Kershner was critical of producer Jack Schwartzman, saying that whilst he was a good businessman "he didn't have the experience of a film producer".[28] After the production ran out of money, Schwartzman had to fund further production out of his own pocket and later admitted he had underestimated the amount the film would cost to make.[32]

Many of the elements of the Eon-produced Bond films were not present in Never Say Never Again for legal reasons. These included the gun barrel sequence, where a screen full of 007 symbols appeared instead, and similarly there was no "James Bond Theme" to use, although no effort was made to supplement another tune.[8] Never Say Never Again did not use a pre-credits sequence, which was filmed but not used;[33] instead the film opens with the credits run over the top of the opening sequence of Bond on a training mission.[28]

[edit] Music

The music for Never Say Never Again was written by Michel Legrand, who composed a score similar to his work as a jazz pianist.[34] The score has been criticised as "anachronistic and misjudged",[28] "bizzarely intermittent"[27] and "the most disappointing feature of the film".[20] Legrand also wrote the main theme "Never Say Never Again", which featured lyrics by Alan and Marilyn Bergman—who had also worked with Legrand in the Academy Award winning song "The Windmills of Your Mind"[35]—and was performed by Lani Hall.[20] Phyllis Hyman recorded a potential theme song, written by Stephen Forsyth and Jim Ryan, but the song - an unsolicited submission - was passed over given Legrand's contractual obligations with the music.[36]

Release and reception


Irvin Kershner (left) with producer Kevin McClory at the film's Royal Charity premiere at London's Warner West End on 14th December 1983.
Never Say Never Again premiered in New York on 7 October 1983, grossing $9.72 million ($23 million in 2012 dollars) on its first weekend,[37] which was reported to be "the best opening record of any James Bond film"[37] up to that point and surpassing Octopussy's $8.9 million ($21 million in 2012 dollars[17]) from June that year.[38] The film went on general release in the US in 1,500 cinemas on 14 October 1983[37] and had its UK premiere at the Warner West End cinema in Leicester Square on 14 December 1983.[28] Worldwide, Never Say Never Again grossed $160 million[39] in box office returns, which was a solid return on the budget of $36 million.[39]

Warner Bros. released Never Say Never Again on VHS and Betamax in 1984, and on laserdisc in 1995. After Metro-Goldwyn-Mayer purchased the distribution rights in 1997 (see Legacy, below), the company has released the film on both VHS and DVD in 2001,[42] and on Blu-Ray in 2009.[43]

[edit] Contemporary reviews

Never Say Never Again was broadly welcomed and praised by the critics: Ian Christie, writing in the Daily Express, said that Never Say Never Again was "one of the better Bonds",[44] finding the film "superbly witty and entertaining, ... the dialogue is crisp and the fight scenes imaginative."[44] Christie also thought that "Connery has lost none of his charm and, if anything, is more appealing than ever as the stylish resolute hero."[44] David Robinson, writing in The Times also concentrated on Connery, saying that: "Connery ... is back, looking hardly a day older or thicker, and still outclassing every other exponent of the role, in the goodnatured throwaway with which he parries all the sex and violence on the way".[45] For Robinson, the presence of Connery and Klaus Maria Brandauer as Maximillian Largo "very nearly make it all worthwhile."[45] The reviewer for Time Out summed up Never Say Never Again saying "The action's good, the photography excellent, the sets decent; but the real clincher is the fact that Bond is once more played by a man with the right stuff."[46]

Derek Malcolm in The Guardian showed himself to be a fan of Connery's Bond, saying the film contains "the best Bond in the business",[47] but nevertheless did not find Never Say Never Again any more enjoyable than the recently released Octopussy (starring Roger Moore), or "that either of them came very near to matching Dr. No or From Russia with Love."[47] Malcolm's main issue with the film was that he had a "feeling that a constant struggle was going on between a desire to make a huge box-office success and the effort to make character as important as stunts."[47] Malcolm summed up that "the mix remains obstinately the same-up to scratch but not surpassing it."[47] Writing in The Guardian's sister paper, The Observer, Philip French noted that "this curiously muted film ends up making no contribution of its own and inviting damaging comparisons with the original, hyper-confident Thunderball".[48] French concluded that "like an hour-glass full of damp sand, the picture moves with increasing slowness as it approaches a confused climax in the Persian Gulf."[48]

Writing for Newsweek, critic Jack Kroll thought the early part of the film was handled "with wit and style",[49] although he went on to say that the director was "hamstrung by Lorenzo Semple's script".[49] Richard Schickel, writing in Time magazine praised the film and its cast. He wrote that Klaus Maria Brandauer's character was "played with silky, neurotic charm",[50] whilst Barbara Carrera, playing Fatima Blush, "deftly parodies all the fatal femmes who have slithered through Bond's career".[50] Schickel's highest praise was saved for the return of Connery, observing "it is good to see Connery's grave stylishness in this role again. It makes Bond's cynicism and opportunism seem the product of genuine worldliness (and world weariness) as opposed to Roger Moore's mere twirpishness."[50]

Janet Maslin, writing in The New York Times, was broadly praising of the film, saying she thought that Never Say Never Again "has noticeably more humor and character than the Bond films usually provide. It has a marvelous villain in Largo."[51] Maslin also thought highly of Connery in the role, observing that "in Never Say Never Again, the formula is broadened to accommodate an older, seasoned man of much greater stature, and Mr. Connery expertly fills the bill."[51] Writing in The Washington Post, Gary Arnold was fulsome in his praise, saying that Never Say Never Again is "one of the best James Bond adventure thrillers ever made",[52] going on to say that "this picture is likely to remain a cherished, savory example of commercial filmmaking at its most astute and accomplished."[52] Arnold went further, saying that "Never Say Never Again is the best acted Bond picture ever made, because it clearly surpasses any predecessors in the area of inventive and clever character delineation".[52]

The critic for The Globe and Mail, Jay Scott, also praised the film, saying that Never Say Never Again "may be the only instalment of the long-running series that has been helmed by a first-rate director".[53] According to Scott, the director, with high quality support cast, resulted in the "classiest of all the Bonds".[53] Roger Ebert gave the film 3-1/2 out of 4 stars, and wrote that Never Say Never Again, while consisting of a basic "Bond plot", was different from other Bond films: "For one thing, there's more of a human element in the movie, and it comes from Klaus Maria Brandauer, as Largo."[54] Ebert went on to add, "there was never a Beatles reunion ... but here, by God, is Sean Connery as Sir James Bond. Good work, 007."[54]

Reflective reviews

Because Never Say Never Again is not an Eon-produced film, it has not been included in a number of subsequent reviews. Norman Wilner of MSN said that 1967's Casino Royale and Never Say Never Again "exist outside the 'official' continuity, [and] are excluded from this list, just as they're absent from MGM's megabox. But take my word for it; they're both pretty awful".[55] Of the more recent reviews, opinion on Never Say Never Again is still mixed: film review aggregator Rotten Tomatoes lists the film with a 59% "rotten" rating from 39 reviews.[56] The score is still more positive than some of the Eon films, with Rotten Tomatoes ranking Never Say Never Again 16th among all Bond films in 2008.[57] Empire gives the film three of a possible five stars, observing that "Connery was perhaps wise to call it quits the first time round".[58] IGN gave Never Say Never Again a score of 5 out of ten, claiming that the film "is more miss than hit".[59] The review also thought that the film was "marred with too many clunky exposition scenes and not enough moments of Bond being Bond".[59]

In 1995 Michael Sauter of Entertainment Weekly rated Never Say Never Again as the ninth best Bond film to that point, after seventeen films had been released. Sauter thought the film "is successful only as a portrait of an over-the-hill superhero."[60] He did admit, however that "even past his prime, Connery proves that nobody does it better".[60] James Berardinelli, in his review of Never Say Never Again, thinks the re-writing of the Thunderball story has led to a film which has "a hokey, jokey feel, [it] is possibly the worst-written Bond script of all".[61] Berardinelli concludes that "it's a major disappointment that, having lured back the original 007, the film makers couldn't offer him something better than this drawn-out, hackneyed story."[61] Critic Danny Peary wrote that "it was great to see Sean Connery return as James Bond after a dozen years".[62] He also thought the supporting cast was good, saying that Klaus Maria Brandauer's Largo was "neurotic, vulnerable--one of the most complex of Bond's foes"[62] and that Barbara Carrera and Kim Basinger "make lasting impressions."[62] Peary also wrote that the "film is exotic, well acted, and stylishly directed... It would be one of the best Bond films if the finale weren't disappointing. When will filmmakers realize that underwater fight scenes don't work because viewers usually can't tell the hero and villain apart and they know doubles are being used?"[62]

Legacy

In the 1990s, McClory announced plans to make another adaptation of the Thunderball story, Warhead 2000 AD, with Timothy Dalton in the lead role, but this was eventually scrapped.[63] In 1997 the Sony Corporation acquired all or some of McClory's rights in an undisclosed deal,[2] and subsequently announced that it intended to make a series of Bond films, as the company also held the rights to Casino Royale.[64] This move prompted a round of litigation from MGM, which was settled in an out-of-court settlement in which Sony gave up all claims on Bond, although McClory still claimed he would proceed with another Bond film,[65] and continued his case against MGM and Danjaq;[66] on 27 August 2001 the court rejected McClory's suit.[66] McClory died in 2006.[63]

On 4 December 1997, MGM announced that the company had purchased the rights to Never Say Never Again from Schwartzman's company Taliafilm.[67][68] The company has since handled the release of both the DVD and Blu-Ray editions of the film.[69][43]

[edit] References

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  4. ^ Macintyre 2008, p. 198.
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  62. ^ a b c d Peary 1986, p. 296.
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  64. ^ Elliott, Christopher (23 October 1997). "Never say never again when James Bond is involved". The Guardian: pp. 10.
  65. ^ Shprintz, Janet (29 March 1999). "Big Bond-holder". Variety. http://www.variety.com/article/VR1117492814?refCatId=13. Retrieved 5 September 2011.
  66. ^ a b Cork, John; Bruce Scivally (11 November 2002). "Reeling through the years". Variety: p. A15.
  67. ^ "Metro-Goldwyn-Mayer Inc. announces acquisition of Never Say Never Again James Bond assets" (Press release). Metro-Goldwyn-Mayer. 4 December 1997. Archived from the original on 5 May 2008. http://web.archive.org/web/20080505213137/http://mgm.mediaroom.com/index.php?s=43&item=47&printable. Retrieved 16 March 2008.
  68. ^ DiOrio, Carl (4 December 1997). "Mgm, 007 Say 'never' Again". The Hollywood Reporter. http://business.highbeam.com/2012/article-1G1-50355711/mgm-007-say-never-again. Retrieved 5 September 2011.
  69. ^ Pratt 2005, p. 851.

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Wikiquote has a collection of quotations related to: Never Say Never Again

The soundtrack features probably the worst Bond score ever. The theme song is horrible. But there was another song written by Stephen Forsyth. In Stephen's own words:

"During the filming of the James Bond movie NEVER SAY NEVER AGAIN, I co-wrote the title song for the movie with Jim Ryan. Warner Brothers informed our attorney that the song was to be used as the title song in the picture. However, shortly before its release, Warner Bros informed us that the song could not be used because Michel Legrand, who wrote the score, threatened to sue them, claiming that contractually he had the right to the title song. So my song was never released.

"The legendary Phyllis Hyman was my first choice to sing the song and working with her is one of the highlights of my musical career. I personally auditioned and sang the song to her while she was having breakfast in her manager's office. After agreeing to sing the song, she arrived at the studio and, without any rehearsal and only having heard the song sung once at the breakfast audition, sang the song in one perfect take.

"Phyllis sadly took her own life in the early nineties. The year before she died, she called me late one night and told me she felt that Never Say Never Again was 'her best and favorite recording.' I have just now made the song available on the Internet (itunes, amazon, emusic, rhapsody, etc.) on an album of some of my early songs. I'd like to make the song available to Video WatchBlog readers to listen to. Enjoy."

SONG: "Never Say Never Again," a rejected theme song, sung by Phyllis Hyman -- words and music by Stephen Forsyth and Jim Ryan.


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